Leeds Featuring Royston Langdon w/ Spenser Gralla
When:
Wednesday, Oct 03, 2018 10:00p -
11:30p
Wednesday, Oct 03, 2018 10:00p -
11:30p
Where:
Atwood's Tavern
877 Cambridge St
Cambridge, Massachusetts 02141
Admission:
$10.00
Categories:
< 21, Music, Nightlife
Event website:
https://www.atwoodstavern.com/events/2018/10/3/leeds
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“This work is a reflection of the re-gentrification of places and the real and meaningful memories they leave in their wake. How our own growth, over time, leaves us with a shifted perspective on ourselves. The once familiar now gone, never to come back except through the ghosts of lovers, places, objects.” -- Royston Langdon
LEEDS is Royston Langdon, former lead singer of Spacehog, with a name that's a nod to his hometown and an album, Everything's Dandy, that is a culmination of his 24 years in New York, both in its content and its production.
"I've lived here longer than I've lived anywhere on the planet," says Langdon of New York. "I feel like I'm part of the city in a way."
Originally from Leeds, Langdon got his start playing music in the U.K. In 1994, however, he followed his brother Antony to New York and fell for the city immediately. Not long after the move, Spacehog formed. In the fall of 1995, they released the debut album Resident Alien, which spawned the hit single "In the Meantime." Three more albums followed over the next 18 years.
More recently, Langdon has worked on the industry side of music, using his own experiences to help up-and-coming artists. Yet, he remained a musician at heart. Langdon kept his new work fairly private, telling only a few people as he built a new collection of songs
The evolution of Everything's Dandy began two years ago, after Langdon's son moved to London. The changes in Langdon's own life, as well as the changes in the city that has been his home for so long, sparked new ideas.
"They put up these new shops," says Langdon of the urban landscape of New York. "Still, the memory of the kind of experience of that thing remains." He sees a connection between waves of gentrification diminishing the city's creative spirit and his "experience of loss and also growth." In his songs, Langdon writes of this not necessarily with nostalgia in mind, but with a sense of "awe" at how life moves forward.
